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futurist - Übersetzung nach russisch
PERSON WHO ATTEMPTS TO SYSTEMATICALLY EXPLORE PREDICTIONS AND POSSIBILITIES ABOUT THE FUTURE AND HOW THEY CAN EMERGE FROM THE PRESENT
Futurologist; Futurologists; Futurists; Future researcher
futurist
['fju:tʃərist]
существительное
общая лексика
футурист
futurist
futurist noun футурист
futurism
, Museum of Modern Art, New York.jpg?width=200)
![An example of Futurist design: "Skyscraper Lamp", by the Italian architect [[Arnaldo dell'Ira]], 1929](https://commons.wikimedia.org/wiki/Special:FilePath/Arnaldo Dell'Ira (1903-1943), lampada a grattacielo, 1929.jpg?width=200 "An example of Futurist design: \"Skyscraper Lamp\", by the Italian architect [[Arnaldo dell'Ira]], 1929")
![An example of [[Futurist architecture]] by [[Antonio Sant'Elia]]](https://commons.wikimedia.org/wiki/Special:FilePath/Casa Sant'Elia.jpg?width=200 "An example of [[Futurist architecture]] by [[Antonio Sant'Elia]]")
![''Sail: In Two Movements'' by [[Charles Demuth]] 1919](https://commons.wikimedia.org/wiki/Special:FilePath/Charles-Demuth-Sail-In-Two-Movements-1919.jpg?width=200 "''Sail: In Two Movements'' by [[Charles Demuth]] 1919")
![Cyclist]]'', 1913](https://commons.wikimedia.org/wiki/Special:FilePath/Cyclist (Goncharova, 1913).jpg?width=200 "Cyclist]]'', 1913")
![[[Giacomo Balla]], 1912, ''[[Dinamismo di un Cane al Guinzaglio]]'' (''Dynamism of a Dog on a Leash''), [[Albright-Knox Art Gallery]]](https://commons.wikimedia.org/wiki/Special:FilePath/Giacomo Balla, 1912, Dynamism of a Dog on a Leash, oil on canvas, 89.8 x 109.8 cm, Albright-Knox Art Gallery.jpg?width=200 "[[Giacomo Balla]], 1912, ''[[Dinamismo di un Cane al Guinzaglio]]'' (''Dynamism of a Dog on a Leash''), [[Albright-Knox Art Gallery]]")
![[[Joseph Stella]], 1919–20, ''Brooklyn Bridge'', oil on canvas, 215.3 × 194.6 cm, [[Yale University Art Gallery]]](https://commons.wikimedia.org/wiki/Special:FilePath/Joseph Stella, 1919-20, Brooklyn Bridge, oil on canvas, 215.3 x 194.6 cm, Yale University Art Gallery.jpg?width=200 "[[Joseph Stella]], 1919–20, ''Brooklyn Bridge'', oil on canvas, 215.3 × 194.6 cm, [[Yale University Art Gallery]]")
![Vladimir Burliuk]], [[Vladimir Mayakovsky]], [[David Burliuk]], and [[Benedikt Livshits]].](https://commons.wikimedia.org/wiki/Special:FilePath/Poshechina obshestvennomu vkusu.jpg?width=200 "Vladimir Burliuk]], [[Vladimir Mayakovsky]], [[David Burliuk]], and [[Benedikt Livshits]].")
![Italian futurists [[Luigi Russolo]], [[Carlo Carrà]], [[Filippo Tommaso Marinetti]], [[Umberto Boccioni]] and [[Gino Severini]] in front of Le Figaro, Paris, February 9, 1912](https://commons.wikimedia.org/wiki/Special:FilePath/Russolo, Carrà, Marinetti, Boccioni and Severini in front of Le Figaro, Paris, 9 February 1912.jpg?width=200 "Italian futurists [[Luigi Russolo]], [[Carlo Carrà]], [[Filippo Tommaso Marinetti]], [[Umberto Boccioni]] and [[Gino Severini]] in front of Le Figaro, Paris, February 9, 1912")
![Thaïs]]'' by [[Anton Giulio Bragaglia]] (1917)](https://commons.wikimedia.org/wiki/Special:FilePath/Thais Bragaglia 1917 06.jpg?width=200 "Thaïs]]'' by [[Anton Giulio Bragaglia]] (1917)")
![[[Umberto Boccioni]], 1913, ''[[Dynamism of a Cyclist]]'' (''Dinamismo di un ciclista''), oil on canvas, 70 x 95 cm, [[Gianni Mattioli]] Collection, on long-term loan to the [[Peggy Guggenheim Collection]], Venice](https://commons.wikimedia.org/wiki/Special:FilePath/Umberto Boccioni, 1913, Dynamism of a Cyclist (Dinamismo di un ciclista), oil on canvas, 70 x 95 cm, Gianni Mattioli Collection, on long-term loan to the Peggy Guggenheim Collection, Venice.jpg?width=200 "[[Umberto Boccioni]], 1913, ''[[Dynamism of a Cyclist]]'' (''Dinamismo di un ciclista''), oil on canvas, 70 x 95 cm, [[Gianni Mattioli]] Collection, on long-term loan to the [[Peggy Guggenheim Collection]], Venice")
![[[Umberto Boccioni]], sketch of ''[[The City Rises]]'' (1910)](https://commons.wikimedia.org/wiki/Special:FilePath/Umberto Boccioni 001.jpg?width=200 "[[Umberto Boccioni]], sketch of ''[[The City Rises]]'' (1910)")
![Photos, in descending order: [[Carlo Carrà]], [[Filippo Tommaso Marinetti]], [[Umberto Boccioni]], [[Luigi Russolo]]. Paintings, in descending order: Luigi Russolo, 1911, ''Souvenir d'un nuit'', 1911–12, ''La révolte'' (two versions are depicted here); Umberto Boccioni, 1912, ''Le rire''; Gino Severini, 1911, ''La danseuse obsedante''. Published in ''The Sun'', 25 February 1912](https://commons.wikimedia.org/wiki/Special:FilePath/Luigi Russolo, Carlo Carrà, Filippo Tommaso Marinetti, Umberto Boccioni, Gino Severini, The Sun, 25 February 1912.jpg?width=200 "Photos, in descending order: [[Carlo Carrà]], [[Filippo Tommaso Marinetti]], [[Umberto Boccioni]], [[Luigi Russolo]]. Paintings, in descending order: Luigi Russolo, 1911, ''Souvenir d'un nuit'', 1911–12, ''La révolte'' (two versions are depicted here); Umberto Boccioni, 1912, ''Le rire''; Gino Severini, 1911, ''La danseuse obsedante''. Published in ''The Sun'', 25 February 1912")
![l'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud)]]''. Published in ''Les Annales politiques et littéraires'', Sommaire du n. 1536, décembre 1912](https://commons.wikimedia.org/wiki/Special:FilePath/Jean Metzinger, Gino Severini, Albert Gleizes, Les Annales politiques et littéraires, Sommaire du n. 1536, décembre 1912.jpg?width=200 "l'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud)]]''. Published in ''Les Annales politiques et littéraires'', Sommaire du n. 1536, décembre 1912")
![Paintings by [[Gino Severini]], 1911, ''La Danse du Pan-Pan'', and Severini, 1913, ''L'autobus''. Published in ''Les Annales politiques et littéraires'', ''Le Paradoxe Cubiste'', 14 March 1920](https://commons.wikimedia.org/wiki/Special:FilePath/Gino Severini, La Danse du Pan-Pan, L’autobus, Les Annales politiques et littéraires, 14 March 1920.jpg?width=200 "Paintings by [[Gino Severini]], 1911, ''La Danse du Pan-Pan'', and Severini, 1913, ''L'autobus''. Published in ''Les Annales politiques et littéraires'', ''Le Paradoxe Cubiste'', 14 March 1920")
![Man on a Balcony, L'Homme au balcon]]''; Severini, 1912–13, ''Portrait de Mlle Jeanne Paul-Fort''; [[Luigi Russolo]], 1911–12, ''La Révolte''. Published in ''Les Annales politiques et littéraires'', ''Le Paradoxe Cubiste'' (continued), n. 1916, 14 March 1920](https://commons.wikimedia.org/wiki/Special:FilePath/Gino Severini, Albert Gleizes, Luigi Russolo, Les Annales politiques et littéraires, n. 1916, 14 March 1920.jpg?width=200 "Man on a Balcony, L'Homme au balcon]]''; Severini, 1912–13, ''Portrait de Mlle Jeanne Paul-Fort''; [[Luigi Russolo]], 1911–12, ''La Révolte''. Published in ''Les Annales politiques et littéraires'', ''Le Paradoxe Cubiste'' (continued), n. 1916, 14 March 1920")
ARTISTIC AND SOCIAL MOVEMENT
Futurism movement; Futurist movement; Futurism (art); Aeropainting; Italian Futurists; Futurismo; Italian Futurism; Italian Futurist
сущ.
футуризм; направление в искусстве, отвергавшее культуру прошлого и пытавшееся создать новые формы и стили.
Definition
futurist
¦ noun
1. (Futurist) an adherent of Futurism.
2. a person who makes predictions about the future based on current trends.
3. Theology a person who believes that eschatological prophecies are still to be fulfilled.
¦ adjective
1. (Futurist) relating to Futurism or the Futurists.
2. relating to a vision of the future.
Wikipedia
Futurist
Futurists (also known as futurologists, prospectivists, foresight practitioners and horizon scanners) are people whose specialty or interest is futurology or the attempt to systematically explore predictions and possibilities about the future and how they can emerge from the present, whether that of human society in particular or of life on Earth in general.
Beispiele aus Textkorpus für futurist
1. Faith Popcorn, the famous futurist, arrived in 2001.
2. But the futurist twist of (to paraphrase Peter D.
3. But the futurist movement was founded a full 10 year before the fascist party and, initially at least, the fascist party was seen by many futurist artists as the political expression for which they had been yearning.
4. Art deco, cubist, rationalist, moderne, futurist and expressionist gems were constructed and Asmara became the envy of the continent.
5. What EPIC 2014 demonstrates is the "fundamental transition" under way, "from mass media to personal media," futurist Saffo says.
